VERNISSAGE-eBook - Flipbook - Page 94
ARTIST BIOGRAPHY
a symphony of color and light that unfolds without the constraints
of preliminary sketches. The result is an astonishing purity4faces
untouched by hesitation, proportions guided by an intuitive
mastery of human anatomy. His artistry is a whispered enchantment,
rendered with an almost otherworldly finesse.
Beyond painting, his genius extends to sculpture, puppetry, and
theatrical design, each discipline infused with his deep reverence
for Thai artistry. His works transform folklore and literature into
visual poetry, capturing the radiance of celestial beings and the
grandeur of Thai theatrical traditions.
A guardian of cultural legacy, he founded the Chakrabhand
Posayakrit Foundation, a living testament to his devotion. Here,
his art flourishes beyond the canvas4an everlasting ode to
beauty, tradition, and imagination.
CHALERM NAKIRAKS
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(1917 - 2002)
Chalerm was a senior painter and widely respected in academic
and artistic circles. His works take the form of both modern art and
applied art. Most of the pieces relate to lifestyles and traditions of
Thai people. He continuously produced artworks for almost fifty
years. Before being recognized as a National Artist of Thailand in
1988, he commenced his art education in 1917 at the Poh-Chang
Academy of Arts. In 1957, he went to Japan to study arts and
crafts. Regarded as one of the pioneers in watercolor painting,
the artist has participated in numerous exhibitions in Thailand
and abroad, including the Watercolor and Oil Paintings Exhibition
in the USA in 1980. He has received several awards from the
Events of Constitution Celebration during the 1940s and 1950s.
CHALERMCHAI KOSITPIPAT
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(b. 1955)
From an early age, Chalermchai Kositpipat displayed remarkable
artistic talent, becoming one of the first students to specialize in
Thai art at Silpakorn University. Even before graduating, he had
already won national recognition. His unwavering commitment
to Thai aesthetics led him to establish the Silpa Thai Group
in 1980, opposing what he saw as the erosion of Thai artistic
identity by foreign influences. His belief in the spiritual power
of art later inspired him to paint murals at Wat Buddhapadipa in
London, a project supported by both a royal foundation and the
Thai government.
Chalermchai9s vision transcends the canvas4his magnum opus,
Wat Rong Khun, reimagined a modest temple into a worldrenowned sanctuary of Buddhist art, seamlessly blending
tradition with his own contemporary interpretation. His meticulous
craftsmanship is evident in every detail, from the exquisite precision
of his brushstrokes to the ethereal harmony of colors that create
a surreal atmosphere. Beneath this delicate intricacy lies a bold
decisiveness, a confidence that defines his artistic identity.
CHALOOD NIMSAMER
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(1929 - 2015)
Chalood Nimsamer, a distinguished student of Silpa Bhirasri,
graduated with a B.F.A. in Sculpture from Silpakorn University in 1954
and later studied at the Academia di Belle Arti di Roma in Italy.
A pioneering figure in Thailand9s contemporary art scene, Chalood
is celebrated for his experimental spirit and mastery of visual
composition. His work is defined by a deliberate structuring of
space, with a focus on points, lines, and geometric balance4
principles that also underpin his influential writings.
As an educator, Chalood played a vital role in shaping Thailand9s
modern art education. At Silpakorn University9s Faculty of Painting,
Sculpture, and Graphic Arts, he mentored generations of artists
while strengthening the academic foundation of Thai art. His book
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(1934 - 2010)
Chamras Prommin, also known as Sla Kin, was a self-taught
artist whose paintings offer a tender and heartfelt portrayal of
the Lanna way of life. Through a distinctive technique combining
oil with tempera, he developed a uniquely earthy palette that
mirrors the mists and tones of Northern Thailand during that
era. Often painting from a wide-angle perspective, Chamras
captured sweeping views of rice fields, trees, and mountains,
placing scenes of daily village life prominently in the foreground.
His compositions are marked by a sense of purity and honesty,
both in color application and spatial arrangement.
Chamras believed in art as a means of preserving memory. Through
his detailed and atmospheric landscapes, he chronicled the
vanishing rhythms of rural life, giving voice to a cultural heritage
often overlooked. His works are not only rich in visual beauty but
also in historical resonance, continuing to inspire future generations
to value the quiet dignity and enduring spirit of Lanna tradition.
CHATCHAI PUIPIA
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(b. 1964)
Chatchai Puipia is a prominent figure in Thai contemporary art,
recognized both domestically and internationally. He once shocked
the public by announcing his own 'artistic death,' symbolizing a
departure from the ego that could have blinded him and caused
him to lose sight of his objectives and the independence of his
actions. This metaphorical death did not end his life but liberated
him from the constraints of the art business, transforming him
from merely an artist to a man who creates art.
