CRAFTED - Flipbook - Page 118
KOWIT WATTANARACH
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(b. 1976)
LINE CENSOR - KIATANAN IAMCHAN
R%R NON/#R - N?"#>/?R N/?P"!?#R
(b. 1982)
Kowit Wattanarach frequently explores human subjects, with a strong emphasis Kiatanant Iamchan is a contemporary Thai artist celebrated for his intricate and
on women and their evolving roles in society. His work reflects themes of layered visual language that blends traditional Thai mural aesthetics, Buddhist
recognition, identity, and independence, portraying women as confident, assertive, symbolism, and semi-cartoon, semi-realistic figures. His works navigate complex
and even enigmatic figures. Inspired by manga, his depictions present Asian modern themes while remaining deeply rooted in the refined traditions of Thai art
women as self-assured and expressive, challenging traditional perceptions of and storytelling. Inspired by temple murals, his compositions often depict a
femininity. His works have been exhibited widely, both domestically and bustling mix of spirits, urban characters, and symbolic elements4creating a rich
internationally.
visual tapestry where the past, present, and future intertwine. He refers to his
approach as
/ - 0# ?>>@%?"
(b. 1999)
MANIT POO-AREE
!?>"R AN/?#?"R
(1935 - 2008)
Pongsakorn Tantinikulchai is a young Thai artist and a graduate of Silpakorn Manit Poo-aree was an artist known for his continual exploration of new artistic
University9s Faculty of Decorative Arts. He is best known for his distinctive character, forms, creating a diverse body of work that spans printmaking, tempera, woodcuts,
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remote regions, local aristocratic families, and Western diplomatic circles, often (1931 - 2013)
offering portraits to her hosts.
Although Princess Marsi Sukhumbhand Paribatra showed artistic talent from an
Siam became an important part of her life. After travelling through the country in early age, she did not receive formal training until the age of 30 and remained
the late 1920s, she later married and settled in Chiang Rai, making Thailand her largely self-taught, developing her artistic practice through close study of artworks
home for about a decade. She exhibited her work extensively across Asia and and guidance from artist friends. She became renowned for her distinctive
internationally. Much of her large body of work has since disappeared, while the surrealist-fantastic paintings, which drew upon her profound knowledge of
few hundred works brought back to France were dispersed among private literature, art history, mythology, and classical music, while harmoniously weaving
collections and now only occasionally reappear.
together Eastern and Western philosophies. Her works often feature animals, many
inspired by her beloved pets, alongside imaginary half-human, half-animal
LE9 A LAFUGIE
N%/? %?A?
(1890 - 1972)
