CRAFTED - Flipbook - Page 113
Chalermchai9s vision transcends the canvas4his magnum opus, Wat Rong Khun
(The White Temple), transforms a modest temple into a world-renowned sanctuary
of Buddhist art, seamlessly blending tradition with his own contemporary
CHAKRABHAND POSAYAKRIT
interpretation. His meticulous craftsmanship is evident in every detail, from the
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exquisite precision of his brushstrokes to the ethereal harmony of color that
(b. 1943)
create a surreal atmosphere. Beneath this delicate intricacy lies a bold decisiveness,
Chakrabhand Posayakrit is a visionary artist whose mastery bridges the classical a confidence that defines his artistic identity.
and the contemporary, weaving Thai heritage into every brushstroke. Each stroke
of his brush is an invocation of beauty, a symphony of color and light that unfolds CHALOOD NIMSAMER
without the constraints of preliminary sketches. The result is an astonishing %A >P!N2!/
purity4faces untouched by hesitation, proportions guided by an intuitive mastery (1929 - 2015)
of human anatomy. His artistry is a whispered enchantment, rendered with an
Chalood Nimsamer was one of Thailand9s most influential modern masters4an
almost otherworldly finesse.
artist, educator, and pioneer whose legacy shaped Thai art for over half a century.
Beyond painting, his genius extends to sculpture, puppetry, and theatrical design, A distinguished disciple of Professor Silpa Bhirasri, he later served as Dean of the
each discipline infused with his deep reverence for Thai artistry. His works Faculty of Painting, Sculpture and Graphic Arts at Silpakorn University, where he
transform folklore and literature into visual poetry, capturing the radiance of founded the Departments of Printmaking and Thai Art, laying the groundwork for
celestial beings and the grandeur of Thai theatrical traditions. A guardian of future generations.
cultural legacy, he founded the Chakrabhand Posayakrit Foundation, a living
testament to his devotion. Here, his art flourishes beyond the canvas4an Renowned for his mastery in painting, sculpture, and printmaking, Chalood was
named National Artist in Visual Arts (Sculpture) in 1998 and was among the first
everlasting ode to beauty, tradition, and imagination.
Thai artists to gain international recognition in printmaking. His work reflects a
refined blend of Thai spirituality and modern form, marked by a deliberate
CHALERM NAKIRAKS
structuring of space4points, lines, and geometric balance4principles that also
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informed his influential writings.
(1917 - 2002)
National Artist of 1988, Chalerm Nakiraks received a Diploma in Arts from CHAMRUANG VICHIENKET
Poh-Chang Academy of Arts and continued his artistic training in Japan with ΓΏ?N#?/ />N?"#NR
support from the International Labor Organization. In 1982, he was invited by the (1931 - 2021)
Thai Arts Council, California, to visit the United States4an experience that
broadened his artistic perspective and international reach. Over the years, Chalerm Chamruang Vichienket was one of the distinguished students of Professor Silpa
exhibited extensively across Asia and America, earning acclaim for his refined Bhirasri, renowned for his contributions to sculpture. Unlike most sculptors of his
time who prioritized realism, Chamruang pursued a different path. Drawing
technique and creative versatility.
inspiration from human forms and elements of nature, he reduced details to their
Renowned for seamlessly bridging modern and traditional aesthetics, Chalerm essence, embracing the principles of semi-abstract and abstract art.
masterfully employed oil, watercolor, pastel, and plastic colors to explore a breadth
of subjects4from still lifes and landscapes to portraits and depictions of Thai From 1955 to 1969, Chamruang consistently received top honors at the National
cultural life. His traditional-inspired works, in particular, stand as timeless Exhibition of Art. His work Gloom (Group) earned the highest distinction4Gold
testaments to the beauty of rural Northeastern Thailand, radiating warmth, vitality, Medal First Class Honors4at the 16th National Exhibition in 1965, marking the
first time an abstract sculpture was recognized at this level. This groundbreaking
and the intricate craftsmanship of a true master.
achievement inspired future generations of artists to explore abstraction in
sculpture. Chamruang9s relentless pursuit of a distinct sculptural language, both
CHALERMCHAI KOSITPIPAT
in national competitions and beyond, solidified his legacy as a pioneering figure
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in the evolution of Thai contemporary abstract art.
(b. 1955)
From an early age, Chalermchai Kositpipat displayed remarkable artistic talent, CHAROON BOONSUAN
becoming one of the first students to specialize in Thai art at Silpakorn University. #A @2/
Even before graduating, he had already won national recognition. His unwavering (b. 1938)
commitment to Thai aesthetics led him to establish the Silpa Thai Group in 1980,
opposing what he saw as the erosion of Thai artistic identity by foreign influences. Charoon Boonsuan was fortunate to study at Silpakorn University during a time
His belief in the spiritual power of art later inspired him to paint murals at the when the esteemed Professor Silpa Bhirasri was still imparting his teachings in
Buddhapadipa Temple in London, a project supported by both a royal foundation person4a period when Thai art students were also profoundly influenced by
modern Western movements. However, beyond formal education, Charoon9s
and the Thai government.
