Cabinet of Curiosities-eBook - Flipbook - Page 128
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LAMPU KANSANOH
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(b. 1983)
LOLAY - THAWEESAK SRITHONGDEE
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(b. 1970)
LOLAY (Thaweesak Srithongdee) is a leading Thai contemporary
artist whose practice spans painting, fibreglass sculpture, and graphic
Lampu Kansanoh is celebrated for her distinctive large-headed arts. Holding a Master of Fine Art from Silpakorn University, he is
caricatures that humorously tell the stories of friends, companions, recognised for his distinctive linework, vibrant palette, and layered
and society. With a keen mastery of brushwork, color placement, and characters that reflect keen observations of human behaviour and
character development, she captures the essence of her subjects, social life through a lens of imagination.
transforms the ordinary into a platform for deeper reflection. Through
satire and wit, she brings forth perspectives that often elude our daily Lolay has exhibited internationally at the Fukuoka Triennale (2005),
awareness, offering a mirror to both personal and societal themes. the Busan Biennale (2010), and the Bangkok Art Biennale (2020),
Rooted in the belief that the small, everyday moments hold the richest with numerous collaborations and major showcases across Southeast
artistic inspiration, this makes her creations remarkably relatable, as Asia, affirming his influential role in the region9s contemporary art
they echo the shared experiences of the viewer. Lampu9s art often scene. Among his most iconic works is a four-metre-high fibreglass
explores the broader social context, proposing that meaningful change sculpture of two girl dolls, permanently installed at the Bangkok Art
in society can only emerge when we begin to look at the things closest and Culture Centre (BACC).
to us with fresh eyes. Her caricatures serve as a playful yet insightful
means of addressing issues, both personal and societal. She believes
that true happiness is not found in avoiding discomfort but in embracing M
and understanding the realities of life.
MANIT POO-AREE
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LINE CENSOR - KIATANAN IAMCHAN
(1935 - 2008)
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(b. 1982)
Manit Poo-Aree was an artist known for his continual exploration of
Kiatanan Iamchan is a contemporary Thai artist celebrated for his new artistic forms, creating a diverse body of work that spans
intricate and layered visual language that blends traditional Thai printmaking, tempera, woodcuts, and drawing. His early practice was
mural aesthetics, Buddhist symbolism, and semi-cartoon, semi-realistic rooted in traditional Thai painting, inspired by mural art, which he
figures. His works navigate complex modern themes while remaining reinterpreted through his own lens. Depicting scenes of family life,
deeply rooted in the refined traditions of Thai art and storytelling. Thai folk games, and rural traditions, he employed antique color
Inspired by temple murals, his compositions often depict a bustling schemes reminiscent of temple murals, yet arranged them in
mix of spirits, urban characters, and symbolic elements4creating a contemporary compositions. His linework was graceful and refined,
rich visual tapestry where the past, present, and future intertwine. He conveying both delicacy and emotional depth.
refers to his approach as
